Spectre/Video-Man

The recent Bond film Spectre explores ideas about the conceptualization of visual tech, which is very symbolic for modernism. Well, how can or should we situate such ideas about design evolution within the framework of modern graphics and pyramid storytelling? This is a relevant question for new age fan-art, right?

What do you think?

How has arcade imagination shaped Bond fan demands, and how can we place various Bond films like Spectre and Moonraker within the context of modern arcade thinking and social interests and entertainment? I mean, can we, for example, compare Bond to a modernism-symbolic comic book character like Magneto (Marvel Comics), Video-Man (Marvel Comics), or Brainiac (DC Comics)?

After all, shouldn't Bond 'keep pace' with dollars?

Abishai100 wrote:

The recent Bond film Spectre explores ideas about the conceptualization of visual tech

Did it? Thought it only conceptualised a bad script.

SPECTRE I could at least follow. Unlike this thread's original post.

I've read it sober and not, I suspect I need harder stuff.

Trying to understand this...

Maybe this is taken from DAD's CGI tests.

'Nearly there, lads!'